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The cover of Sannhetโs third album, So Numb, features a mother shielding her sonโs eyes with her hands โ an allegory depicting the protection one receives from their parents, but it isnโt meant to be sentimental. As the mother shelters her child, she inadvertently creates a false sense of safety. The child, in turn, spends itโs life seeking comfort and escape in temporary solutions.
Though Sannhet meditate on lifeโs imperfect escapes, So Numbโs nine songs showcase the band facing lifeโs pain and joy with their eyes wide open. The collectionโs emotional landscape is one of existential dread, melancholy, and loss โ ammunition for escapists. Despite these existential conundrums, So Numb has an uplifting, euphoric feel.
The collection was recorded and produced by Peter Katis, whoโs known for his work with Mercury Rev, Interpol, the National, and Oneida among others. Working with Katis, the production illuminates a more open sound for the band. While Sannhetโs second album, 2015โs Revisionist, was bigger and harsher than their 2013 debut, Known Flood, they offer a more wistful, melodic approach here.
The first track, โIndigo Illusion,โ opens with Christopher Toddโs eviscerating, but anchoring drums locked in with AJ Annunziataโs driving bass and John Refanoโs clamoring, unexpectedly coaxing guitar melodiesโthe song, a muscular anthem that mixes feedback and space, ends up sounding like a million crystals shattering in a dark room. Alternately, the heavier, more solemn and cavernous โFernbedsโ finds added pathos from guest guitar leads by one-man shoegaze-metal artist, Planning for Burialโs Thom Wasluck.
As on past Sannhet albums, the song titles are evocative (โSapphire,โ the churning โSleep Well,โ โFernbeds,โ โWay Outโ), but not prescriptive. By the time youโve gotten to the drifting, airy โSalts,โ itโs clear Sannhet has become a more patient, painterly band. The collection ends with the massive โSleep Wellโ followed by the eerie, ambient โWind Up.โ Those two songs offer a good example of what the band does well: moving between extremes to create a dynamic that feels both climactic and anticipatory, dramatic and comfortably calm.
Sannhet have always been hard to classify. Since 2010, the Brooklyn trioโs played instrumental music thatโs heavy and light, cinematic and intimate, dense but minimal. You could call them โpostโ something, โexperimental metal,โ or โmath rock,โ but none of thatโs quite right and the band has thrown another wrinkle into the mix with So Numb. While they donโt write lyrics, they do write subtexts. They pen love letters, extended epistles, and suicide notes, all without words. With So Numb, Sannhet create a new world out of very few ingredients.
Track listing for โSo Numbโ
1. Indigo Illusion
2. Sapphire
3. So Numb
4. Fernbeds
5. Salts
6. Way Out
7. Secondary Arrows
8. Sleep Well
9. Wind Up